Hello, dear friends,
Once again, it has been... oh, only just over a month? Never mind then, I can hybernate a bit longer... But I do have some updates to share, so here it goes.
After completing "Thirteen Colonies", I looked around for a new project and discovered myself desperately hooked on samplers. During Nashville Needlework market this year I loved several projects.
"Seeking Refuge" by Scarlett House perfectly describes how I feel about needlework. Cross stitch is my therapy, it's a skill to combat my fears and anxiety about the challenges of the outside world. So - I had to have this pattern. I even got all the threads it called for.
Next was "Heaven and Nature" by Teresa Kogut. This one was a bit more complicated. Several years ago I stitched a commission piece designed by Sandy Orton (I Believe) with words "Let Heaven and Nature Sing." For those who remember, it had a garden theme with angels wearing gardening aprons and with garden shears in the pockets. And now, seeing this same verse on the new sampler, I thought - continuity. Something about it spoke to me, perhaps reminded me of the previous project, - and I got the pattern.
Then, there's the "monster" (because of its size) - "His Eye is on the Sparrow" by Heartstring Samplery. This one - first of the two - interested me because of the way Adam and Eve were designed. I noticed that in many (older) samplers Adam and Eve were pictured in a grotesque, very awkward way. This one makes them look... more human. Not to mention, of course, all the details.
Finally, there's "Consider the Lilies" - another design by Heartsrting Samplery. Once again, Adam and Eve here look very much alive, not doll-like, and the snake looks like he's holding a conversation...
Once I received the patterns, I started on kitting the samplers. Fabric was not a problem at the time, but some of the threads, due to COVID, I could not get. Now I know about substitutions and conversions and details that makes the sampler yours, so to speak, but... Truth be told, until now I often had to substitute threads - simply because I could not afford the ones called for in a pattern(s). So, I do want to know what the "original" version with all the called for threads looks like. I will wait on the (last three) threads to become available, then I will start the sampler.
In the meantime, I signed up for - and completed - "Jesus Wept" sampler by Elisabeth Cooper. It came from The Sassy Jack's Stitchery, and it was in many ways a new experience for me.
I wanted to stitch it, first of all, because it was the first time I was going to work with silk. I learned that silk is a very pleasant material to work with, both soft - and strong. Then, there was something about this design that reminded me of the cave paintings of the ancient times. The birds and the plants, the animals - the way they were designed. It was a very interesting process.
After this project was completed, I moved on to something more colorful. Mary Mary Needleworker from Lindy Stitches caught my eye. Once again, continuity played part in my selection - Old Witch Mary from Lila's Studio and this project definitely have some things in common.
For me, it's got something to do with those mushrooms. I could not resist them in Witch Mary - and now I cannot say no to them in Mary Needleworker. They had to be stitched! Not to mention the thread spools, the shoes, the flowers... and the verse of course. That one is still coming, along with more details.
Until next time,
